While working on The Manual of Detection, I did a good bit of research into the Pinkerton National Detective Agency. My own Agency’s logo (an open eye) and motto (”Never Sleeping”) were adapted from those of the Pinkertons, and intended in part as a nod to that outfit’s influence on the conception of my fictional mystery-solving organization. Both found their way onto the hardcover edition of the book, and that design, by Glenn O’Neill, was just voted best crime fiction cover of 2009 over on The Rap Sheet blog.
The Pinkertons have a fascinating history. Allan Pinkerton, founder of the agency, served as security to President Lincoln during the Civil War, and prevented an assassination attempt. (He wasn’t there at Ford’s Theater that other time.) The Pinkertons earned a degree of infamy during the events of the Homestead Strike of 1892. They were feared by outlaws, and were hired to track Jesse James as well as Butch Cassidy and the Sundance Kid. There is, according to this wikipedia article, a federal law still on the books which prohibits Pinkerton employees from working for the United States government.
What I didn’t know until recently was that Allan Pinkerton published several collections of real-life detective stories, “transcribed from the Records” of the Pinkerton Agency. All are in the public domain, and have been made available in electronic editions at feedbooks.com. I’m looking forward to reading these, and I wish I’d known about them a few years ago. In the preface to one volume, Mr. Pinkerton writes:
If there be any incidental embellishment, it is so slight that the actors in these scenes from the drama of life would never themselves detect it; and if the incidents seem to the reader at all marvelous or improbable, I can but remind him, in the words of the old adage, that “Truth is stranger than fiction.”
Indeed. Feedbooks also has on display some of the wonderful old cover designs for those books. Of particular note—to me, at least—is the cover of The Expressman and the Detective, with its green cover and gold foil never-sleeping stare. And for reasons which anyone who’s read The Manual of Detection will understand, the title The Somnambulist and the Detectives came as a fine surprise.

The paperback design for my book is quite different—“Magritte noir,” I’ve been calling it. The paperback will be available from Penguin on January 26th, and I’ll have more to say about it soon.




